Indian Sanskrit, recognized as the first representation of Indian Theatre, was something that I knew nothing about prior to this assignment. However, after much research and our group presentation, I have a great appreciation for this highly cultivated art form. What I found most interesting was the Bharata Natyam, one of the oldest and most popular dance styles in India. A popular interpretation of the name of the style is : Bhava (expression) + Raga (musical mode) + Tala (rhythm) + Natyam (dance + acting) = BHARATA NATYAM (Chandra, 15).

Bharata Natyam is a form of dance that is subdivided into three classical forms: Nritta, Nritya, and Abhinaya. All three are an embodiment of beauty, charm and gracefulness (Bhagyalakshmy, 223).

Nritta is the pure form of Bharata Natyam. This form interprets the language of rhythm and melody through various patterns traced by the body. These patterns are either square, triangular or diamond shaped. Essentially, Nritta is a dance without a theme (Bhagyalakshmy, 112). This is considered the easiest dance form to learn and watch.

Nritya has the goal of conveying a poetic meaning through the use of gestures and facial expressions combined with rhythmic gaits and postures (Chandra, 11). Basically Nritya is a dance that tells a story by interpreting words recited by a singer. Nritya is supposed to be a very soul touching experience.

The last form, Abhinaya, means expression. Abhinaya purely expresses the poetic meaning of the composition without emphasis on rhythmic patterns (Bhagyalakshmy, 98). This dance technique is complex, and would not be easy for a novice to understand.

While I find all of these dance styles to be interesting, it is the dancers themselves that are fascinating. The dancers aim is to look as extravagant as possible. They accomplish this by wearing elaborate costumes that are vibrant in color and typically made of silk. They wear alot of ornate jewelery and makeup to represent the beauty of the Hindu gods and goddesses.

Even though Bharat Natyam is not known to many people outside of the Indian culture, I believe it is a dance form that deserves an audience from all different cultures to appreciate its theatrical, emotional, and spiritual elements. I can say that I am truly happy to have learned a little bit about this divine form of dance.